Elizabeth I

Starred review from January 10, 2011
Personal and political conflicts among such larger-than-life historical figures as Francis Bacon, Walter Raleigh, Francis Drake, and Will Shakespeare intertwine in George's meticulously envisioned portrait of Elizabeth I during the last 25 years of her reign. Unlike most contemporary depictions of the Virgin Queen, this one is actually a virgin; she's married to England, whose interests she pursues with shrewdness, courage, and wisdom borne of surviving the deaths of her family. Readers see the queen through her own eyes and those of her cousin, Lettice Knollys, wife of Elizabethan heartthrob Robert Dudley, aka the earl of Leicester. Elizabeth's antithesis, thrice-married and much-bedded Lettice, is driven by passion and self-interest, easily evidenced by the story's beginnings: it's 1588, and Elizabeth meets the threat of the Spanish Armada head-on while Lettice calculates how her son might benefit. Like her heroine, George (The Autobiography of Henry VIII) possesses an eye for beauty and a knack for detail, creating a vibrant story that, for nearly 700 pages, enables readers to experience firsthand Elizabeth's decisions, triumphs, and losses. Rather than turn Elizabeth I into a romantic heroine, George painstakingly reveals a monarch who defined an era.

March 1, 2011

Overly busy novel of life inside the Virgin Queen's court—and mind.

Anyone who's read history or seen Shekhar Kapur's 1998 bloodfest Elizabeth, with Cate Blanchett in the title role, knows that the daughter of Henry VIII was no one to mess with. Indeed, as George's novel opens, well into her reign, Queen Elizabeth is sternly interrogating "the three most powerful men in the realm," one of whom, Sir Francis Walsingham, is famously not shy of doing in the various opponents to her rule, such as Mary, Queen of Scots. England, Elizabeth avers, is the bulwark of the Reformation against a resurgent Catholic Church—explains one of those three, in a flat, modern and wholly anachronistic way, "It's religious, but it's also political." Indeed. A viper in the nest, Elizabeth's cousin, the vivacious redhead Lettice Knollys, has reasons aplenty to oppose the queen on several counts, not least of them old-fashioned familial rivalry, and George's novel traces their long dance of fate against the backdrop of Tudor hanky-panky and an inconvenient Spanish Armada, the former more daunting and certainly more entertaining than the latter, since the Spanish fleet is all too quickly smashed against the rocks of Ireland. George tells her tale from multiple points of view, sometimes confusingly, and her prose tends to be without affect—or, for that matter, zing. In the hands of a master of period language, a John Barth, say, this tangled tale would doubtless spring to life, but as it is it's all rather clinical, with intonations such as "It is in the nature of truth to have enemies" to remind us that we're in the midst of important events. The tale is also nicely bloody and byzantine, but it goes on much too long; Hilary Mantel packed a lot more punch into Wolf Hall (2009), and in a 100-odd pages less.

Historically sound, but without the sympathetic spark of the best historical fiction.

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

November 15, 2010

George has fictionalized Henry VIII and Mary, Queen of Scots, with breathtakingly detailed success, so why not Elizabeth? This re-creation of the queen and her era is told from the perspective of her lookalike cousin Lettice Knollys, who's also in love with Robert Dudley, Earl of Leicester. Fans of historicals will love; with an eight-city tour.

Copyright 2010 Library Journal, LLC Used with permission.

Starred review from February 1, 2011
Having already tackled Henry VIII (The Autobiography of Henry VIII, 1986) and Mary, Queen of Scots (Mary Queen of Scotland and the Isles, 1992), George now turns to Elizabeth I. Narrating her own story, Elizabeth is in late middle age, still formidable, but having hot flashes and keeping notes as a memory aid. Robert Dudley, the love of her life, dies early on, and one by one she loses most of her other trusted councillors as well. Dudleys ambitious and wayward stepson Robert Devereaux, the Earl of Essex, arrives at court and becomes her last great favorite. As she did in The Autobiography of Henry VIII, George adds an extra dimension by providing a second narrator; here it is Devereauxs mother (and Dudleys widow), Lettice Knollys. Banished from court because of an irregular marriage, Knollys conducts an adventurous sex life (one of her lovers is Will Shakespeare) and schemes to push Devereaux into power and restore the family fortunes. Georges mastery of period detail and her sure navigation through the rocky shoals of Elizabethan politics mean this lengthy novel never flags.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)

February 1, 2011

George is a long-established novelistic chronicler of historic lives, from Cleopatra to Helen of Troy. In her latest book, she lightly fictionalizes the later years of Queen Elizabeth I, who reigned over England in the 16th century. She familiarizes her readers with the famous people in the Queen's life, such as Shakespeare and Sir Francis Drake, and walks them through the political strife and intrigue inherent in a turbulent court. Set against the monarch is Lettice Knollys, Her Majesty's cousin. Lettice's family and fortune are at a downturn, and she will try, through scheme and conspiracy, to regain her status even if it means making an enemy of the most powerful woman in the world. VERDICT George's writing is of an older, more formal style; neither cinematic nor intimately personal. Her story arc is leisurely to the point of plodding, her focus much more on the accurate history of her subjects than the fiction that breathes life into them. This is a book that would be treasured by history buffs but may try the patience of casual readers. [See Prepub Alert, LJ 11/15/10.]--Therese Oneill, Monmouth, OR

Copyright 2011 Library Journal, LLC Used with permission.

March 1, 2011

Overly busy novel of life inside the Virgin Queen's court--and mind.

Anyone who's read history or seen Shekhar Kapur's 1998 bloodfest Elizabeth, with Cate Blanchett in the title role, knows that the daughter of Henry VIII was no one to mess with. Indeed, as George's novel opens, well into her reign, Queen Elizabeth is sternly interrogating "the three most powerful men in the realm," one of whom, Sir Francis Walsingham, is famously not shy of doing in the various opponents to her rule, such as Mary, Queen of Scots. England, Elizabeth avers, is the bulwark of the Reformation against a resurgent Catholic Church--explains one of those three, in a flat, modern and wholly anachronistic way, "It's religious, but it's also political." Indeed. A viper in the nest, Elizabeth's cousin, the vivacious redhead Lettice Knollys, has reasons aplenty to oppose the queen on several counts, not least of them old-fashioned familial rivalry, and George's novel traces their long dance of fate against the backdrop of Tudor hanky-panky and an inconvenient Spanish Armada, the former more daunting and certainly more entertaining than the latter, since the Spanish fleet is all too quickly smashed against the rocks of Ireland. George tells her tale from multiple points of view, sometimes confusingly, and her prose tends to be without affect--or, for that matter, zing. In the hands of a master of period language, a John Barth, say, this tangled tale would doubtless spring to life, but as it is it's all rather clinical, with intonations such as "It is in the nature of truth to have enemies" to remind us that we're in the midst of important events. The tale is also nicely bloody and byzantine, but it goes on much too long; Hilary Mantel packed a lot more punch into Wolf Hall (2009), and in a 100-odd pages less.

Historically sound, but without the sympathetic spark of the best historical fiction.

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)