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My Life in Middlemarch

A Memoir

ebook
1 of 1 copy available
1 of 1 copy available
A New Yorker writer revisits the seminal book of her youth—Middlemarch—and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories.
Rebecca Mead was a young woman in an English coastal town when she first read George Eliot's Middlemarch, regarded by many as the greatest English novel. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.
In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece—the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure—and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself, My Life in Middlemarch is for every ardent lover of literature who cares about why we read books, and how they read us.
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    • Publisher's Weekly

      Starred review from October 7, 2013
      In this deeply satisfying hybrid work of literary criticism, biography, and memoir, New Yorker staff writer Mead (One Perfect Day: The Selling of the American Wedding) brings to vivid life the profound engagement that she and all devoted readers experience with a favorite novel over a lifetime. Her love affair with Middlemarch and its author, George Eliot, began when 17-year-old Mead was growing up in southwest England. Here, she wants to “go back to being a reader,” and sets out to rediscover Eliot, visiting the places Eliot lived, studying her letters, and even holding a journal in Eliot’s own handwriting. In Mead’s rendering, Eliot proves a deeply loving partner and devoted stepmother. Mead’s considerable scholarship is accessible and revelatory to anyone who cares about what Eliot calls “the common yearning of womanhood.” Mead, who identifies strongly with aspects of Eliot’s life and that of the characters in Middlemarch, returns to the novel during various stages of her life: as a young Englishwoman finding her way in New York; in relationships with difficult men; as a stepmother and wife; and eventually as the mother of a son. As Mead writes: “There are books that seem to comprehend us just as much as we understand them… books that grow with the reader as the reader grows.” Passionate readers, even those new to Middlemarch, will relish this book. Agent: Kathy Robbins, the Robbins Office.

    • Library Journal

      December 1, 2013

      Part literary criticism, part biography, and part memoir, this extremely creative book charts the many ways in which George Eliot's Middlemarch has shaped the life of Mead (One Perfect Day: The Selling of the American Wedding), who came across the novel for the first time when she was a teenager studying for her university entrance examinations during the 1980s. Like Eliot's Dorothea, Mead yearned to escape her provincial surroundings in the southwest of England for the more sophisticated, intellectually satisfying life of the city. The first in her family to attend college, Mead went on to Oxford, studied journalism, and eventually became a staff writer for The New Yorker. Throughout these experiences, Middlemarch remained a constant fixture in her life. Mead returned to the novel again and again, realizing new insights and nuances as she grew and matured. Through this literary journey, she discovers that provincialism is not only a matter of geography but also a state of mind. More memoirist than literary critic, Mead demonstrates through her own story how literature can change and transform lives. For this reason, even the reader who has never heard of George Eliot will find Mead's crisp, exacting prose absorbing and thought-provoking. VERDICT Essential for any literature collection.--Meagan Lacy, Indiana Univ.-Purdue Univ. Indianapolis Libs.

      Copyright 2013 Library Journal, LLC Used with permission.

    • Booklist

      Starred review from December 15, 2013
      When Mead first read George Eliot's Middlemarch, a masterwork of sympathetic philosophy, as a young woman in an English seaside town, it became her polestar. A New Yorker staff writer and author of One Perfect Day (2007), Mead now explains why in this heady blend of memoir, biography, and literary criticism. She performs an exhilarating, often surprising close reading of the novel, which Eliot began writing at age 51 in 1870. And she takes a fresh look at Eliot's daringly unconventional life, visiting the writer's homes and casting light not only on the author's off-the-charts intellect but also her valor in forthrightly addressing complex moral issues, cutting sense of humor, large, perceptive generosity, and the deep love she shared with critic and writer George Henry Lewes and his sons. Mead injects just enough of her own life story to take measure of the profound resonance of Eliot's progressive, humanistic viewpoint, recognition of the heroism of ordinary lives, and crucial central theme, a young woman's desire for a substantial, rewarding, meaningful life. Mead's rekindling of appreciation for Eliot and her books blossoms into a celebration of the entire enterprise of writing and reading, of how literature transforms our lives as it guides us toward embracing all that might be gained from opening one's heart wider. (Reprinted with permission of Booklist, copyright 2013, American Library Association.)

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