Earthly Measures

January 31, 1994
The measures of Hirsch's ( The Night Parade ) fourth book of poetry are anything but earthly. These poems court the extremes of experience from transcendence to acedia: the moment of death, spiritual crisis, intense nostalgia. The lofty reach of the poems derives in part from the poet's chosen subjects; many of them portray, in verse narrative, episodes from the lives of Simone Weil, Hugo von Hofmannsthal, Leopardi and Henry James. He generally brings great insight and sympathy to the writers and thinkers he imagines. However, one can find ``something strained / and oracular in these incandescent vistas / and glowing atmospherics.'' At times, the tone plunges from high drama to melodrama, or to farce, as in his villanelle, ``The Romance of American Communism.'' Elsewhere, Hirsch renders intimate moments with affecting emotional precision: ``As we stood by the window in a waning light / Or touched and moved away from each other / And turned back to our books. But it remained / Even so, like the thought of a coal fading / On the upper left-hand side of our chests, / A destination that we bore within ourselves.'' The poet rarely stays at home. His poems inhabit a distinctly poetic landscape of old European churches, burnt-out midwestern cities and slumberous suburban tracts. Though, like an expressionist painter, Hirsch has a weakness for the rarefied and poetic moment, we should be grateful for his often profound identification with human dilemmas.