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Hitchcock Lost & Found

The Forgotten Films

ebook
1 of 1 copy available
1 of 1 copy available

“It seems there is still plenty to discover and to say about Alfred Hitchcock . . . a host of impressive new research.” —Journal of Film Preservation
 
Audiences worldwide know him for Psycho, The Birds, Vertigo, and other classics—but in Hitchcock Lost and Found, fans and film students alike can explore forgotten, incomplete, lost, and recovered productions from all stages of Alfred Hitchcock’s career, including his early years in Britain.
Alain Kerzoncuf and Charles Barr highlight Hitchcock’s neglected works, including various films and television productions that supplement the critical attention already conferred on his feature films. They also explore the director’s career during World War II, when he continued making high-profile features while also committing himself to a number of short war-effort projects on both sides of the Atlantic. Focusing on a range of forgotten but fascinating projects spanning five decades, Hitchcock Lost and Found offers a new, fuller perspective on the incomparable filmmaker’s career and achievements.
 
“For the Hitchcock completist, Hitchcock Lost and Found is an essential resource.” —Philadelphia Inquirer
 
Includes photos and illustrations

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    • Library Journal

      May 1, 2015

      The films directed by Alfred Hitchcock (1899-1980), more than 50 titles from Britain's silent film era to the mid-1970s, are some of the most intensely scrutinized works in movie history. Fortunately, all but a few are available for viewing. This book examines not only Hitchcock's three "lost" films but also obscure and overlooked work, mostly dating to his early days, when he worked as a screenwriter or young upstart director. Coauthors Kerzoncuf and Barr, who both have extensive experience in archival research, see their subject's career as an "enormous jigsaw puzzle," with the last pieces only now falling into place. In addition to his lost films, the authors review altered and incomplete versions, film fragments, and random oddities including a cancer awareness short and contributions to the war effort. Hitchcock illustrated the dangers of fascism in mainstream films (Foreign Correspondent, 1940; Lifeboat, 1944; Saboteur, 1942) as well as his postwar considerations of evil (Rope, 1948; Psycho, 1960) which reflected his sometimes bleak view of human nature. VERDICT This is aimed at completists who want to see everything Hitchcock produced. Readers with exclusive interest in his classics should probably look elsewhere. More coverage should have been given to Hitchcock's wife, Alma Reville, whose background in filmmaking proved an invaluable source of collaboration and counsel to him. Recommended for film scholars.--Stephen Rees, formerly with Levittown Lib., PA

      Copyright 2015 Library Journal, LLC Used with permission.

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  • English

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