Judas

September 5, 2016
Oz raises fundamental questions
concerning Israeli politics, religion, ethics, and history in this novel about a young Jewish scholar adrift in 1959 Jerusalem. Graduate student Shmuel Ash decides to abandon his studies and perhaps leave Jerusalem; when his parents can no longer support him, his girlfriend marries her ex-boyfriend, and even his Socialist discussion group breaks up. Answering an advertisement for a live-in companion in an old Jerusalem neighborhood, Shmuel finds a welcome retreat in the home of Gershom Wald, a 70-year-old retired schoolteacher suffering from an unnamed degenerative disease. Gershom’s primary caregiver is his son’s widow, Atalia, and Shmuel’s job consists mainly in providing Gershom with spirited debate. The old man’s favorite topic—the formation of the state of Israel—proves somewhat sensitive in that Atalia’s father, David Ben-Gurion opponent Shealtiel Abravanel, had opposed the idea of establishing a Jewish state without first addressing Arab concerns adequately, a position for which he was deemed a traitor. Gershom and Shmuel also discuss the famous traitor that Shmuel has been studying, Judas Iscariot. As Shmuel researches Abravanel and Judas, Oz (A Tale of Love and Darkness) suggests each might be less a traitor than an idealist with an alternate point of view. Oz’s appreciation for multiple perspectives underlies powerful descriptions of Judas at the crucifixion, the brutal murder of Atalia’s husband’s during Israel’s War of Independence, and Shmuel with Atalia at King David’s tomb. Through the story of one young man at a crossroads, Oz presents thought-provoking ideas about traitors, a moving lament for the cost of Israeli-Arab conflict, and a heartfelt call for compassion. Agent: Andrew Wylie, Wylie Agency.

Pensive, sometimes even brooding novel by Oz (Between Friends, 2014, etc.), widely considered Israel's greatest living writer.If there had been no Judas, there would have been no crucifixion and no Christianity. Should Christians--and Jesus, for that matter--be grateful to Judas, then? This question and a host of related queries resound through the halls of Gershom Wald's Jerusalem apartment, its floors groaning under the burden of books and memories. Shmuel Ash is a bit more than a shlimazel, but he's had a run of bad luck all the same: his parents' business has failed, meaning that his allowance has disappeared, and meanwhile his girlfriend has gone off and married someone else. Apart from burying himself in a thesis on Jewish views of Jesus, what else can he do? Well, for one thing, he can fall in love with the sizzling widow who also lives in Wald's place, where Shmuel has been taken on as a kind of live-in intellectual foil. Why Atalia lives there requires some ferreting out, and suffice it to say that her presence involves echoes of betrayal, perceived or real: "They called him a traitor," says Wald of still another shadowy presence in that darkened, bookish house, "because he fraternized with Arabs." Oz does not overwork what could be an oppressive and too-obvious theme, and he is the equal of Kundera in depicting the kind of love that is accompanied more by sighs of impatience and reproval than of desire satisfied. One thing is for sure: just as Judas is foreordained to betray Jesus, Shmuel is destined to fall for Atalia; even the cynical, world-weary Wald allows that he should surrender to her: "You no longer have any choice." Naturally, the ending isn't quite happy--we would not be in the land of Oz otherwise--but it is perfectly consonant with the story leading to it. Lovely, though with a doleful view of the possibilities of peace, love, and understanding, whether among nations or within households. COPYRIGHT(1) Kirkus Reviews, ALL RIGHTS RESERVED.

Starred review from October 15, 2016
The latest novel by prominent Israeli writer Oz (Scenes from Village Life, 2011) folds a meditation on loyalty and loss into a tender coming-of-age story, and the result is touching and intellectually potent. It is 1959, and Shmuel is an idealistic bundle of aspirations and anxieties. When his university studies stall, and his girlfriend dumps him, he accepts a job as a caretaker for Gershom Wald, a mournful and argumentative old man, and quickly falls in love with Atalia, the beautiful older woman who shares Wald's musty, book-lined house on the outskirts of Jerusalem. Atalia, the daughter of a political figure branded a traitor for advocating compromise with the Arabs, is taciturn and aloof; her husband, Wald's son, perished horribly in the 1948 war. Tormented by love for Atalia and weighed upon by the profound loss that permeates their house, Shmuel finds solace in exegesis, developing a theory that Judas Iscariot, the betrayer of Jesus, was actually his most enthusiastic apostle and, perhaps, the first true Christian. In pivoting between biblical times and the divided Jerusalem of 1959, Oz's allegorical intentions become as unambiguous as his political affinities, and the tentative romance between Shmuel and Atalia provides light moments and the possibility of new beginnings. Oz is as engaging and provocative as ever.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

October 15, 2016

In 1959, Shmuel Ash, a perennially hapless young Israeli whose girlfriend has just married another man, has dropped out of college because his parents are no longer able to pay for his education, though he still hopes to finish his study on "Jewish Views of Jesus." Casting about for something to do with his life, he takes a job as live-in caretaker for Gershom Wald, an all but bedridden elderly man who spends hours on the phone discussing and debating with friends. Eventually, Shmuel becomes enamored of Wald's widowed daughter-in-law, Atalia, who lives under the same roof with them, though she is some 20 years older than he. Award-winning Israeli novelist Oz (A Tale of Love and Darkness) interlaces his plot with philosophical and biblical discussions and arguments, some might call them digressions, mainly through his characters' dialog, at one point having Wald declare to Shmuel, "[W]ithout Judas there would have been no Church and no Christianity." De Lange's translation is effortless. VERDICT Shmuel is asthmatic, and there is something claustrophobic about the relationship of these three main characters. This work should appeal especially to readers interested in the founding and early history of the young Jewish state. [See Prepub Alert, 5/23/16.]--Edward B. Cone, New York

Copyright 2016 Library Journal, LLC Used with permission.

June 15, 2016

In 1959 Jerusalem, young biblical scholar Shmuel Ash supports himself by working as a caregiver for the brilliant but cranky Gershom Wald, who lives in an old stone house with a history. Atalia Abarbanel, an alluring but distant woman in her forties whose father was a celebrated Zionist leader, also lives there. As the relationship among the three evolves, we're given a coming-of-age story, a bittersweet romance, and an allegory for the state of Israel, with the powerful biblical resonance the title suggests. Multi-award-winning Israeli author Oz, who wades into real controversy here, has already claimed Germany's International Literature Prize for this work. Billed as a real milestone work for Oz.

Copyright 2016 Library Journal, LLC Used with permission.

November 1, 2017

Oz is an iconic cultural figure and one of the most celebrated writers in Israel; his work has been published in more than 40 languages. Short-listed for the 2017 Man Booker International Prize, this novel follows a young man who falls in love with a troubled woman and uncovers her family's tragic and traitorous role in the founding of Israel. (LJ 10/15/16)

SEE ALSO: Oz's Between Friends (2013), Scenes from Village Life (2011), Rhyming Life & Death (2009), A Tale of Love and Darkness (2004), The Same Sea (2001)

Copyright 2017 Library Journal, LLC Used with permission.

September 1, 2016
Pensive, sometimes even brooding novel by Oz (Between Friends, 2014, etc.), widely considered Israel's greatest living writer.If there had been no Judas, there would have been no crucifixion and no Christianity. Should Christians--and Jesus, for that matter--be grateful to Judas, then? This question and a host of related queries resound through the halls of Gershom Wald's Jerusalem apartment, its floors groaning under the burden of books and memories. Shmuel Ash is a bit more than a shlimazel, but he's had a run of bad luck all the same: his parents' business has failed, meaning that his allowance has disappeared, and meanwhile his girlfriend has gone off and married someone else. Apart from burying himself in a thesis on Jewish views of Jesus, what else can he do? Well, for one thing, he can fall in love with the sizzling widow who also lives in Wald's place, where Shmuel has been taken on as a kind of live-in intellectual foil. Why Atalia lives there requires some ferreting out, and suffice it to say that her presence involves echoes of betrayal, perceived or real: "They called him a traitor," says Wald of still another shadowy presence in that darkened, bookish house, "because he fraternized with Arabs." Oz does not overwork what could be an oppressive and too-obvious theme, and he is the equal of Kundera in depicting the kind of love that is accompanied more by sighs of impatience and reproval than of desire satisfied. One thing is for sure: just as Judas is foreordained to betray Jesus, Shmuel is destined to fall for Atalia; even the cynical, world-weary Wald allows that he should surrender to her: "You no longer have any choice." Naturally, the ending isn't quite happy--we would not be in the land of Oz otherwise--but it is perfectly consonant with the story leading to it. Lovely, though with a doleful view of the possibilities of peace, love, and understanding, whether among nations or within households.

COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.