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Talking Back, Talking Black

Truths About America's Lingua Franca

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1 of 1 copy available
1 of 1 copy available

"Superb." —Steven Pinker

"An explanation, a defense, and, most heartening, a celebration. . . . McWhorter demonstrates the 'legitimacy' of Black English by uncovering its complexity and sophistication, as well as the still unfolding journey that has led to its creation. . . . [His] intelligent breeziness is the source of the book's considerable charm." —New Yorker

"Talking Back, Talking Black is [McWhorter's] case for the acceptance of black English as a legitimate American dialect. . . . He ably and enthusiastically breaks down the mechanics." —New York Times Book Review

Linguists have been studying Black English as a speech variety for years, arguing to the public that it is different from Standard English, not a degradation of it. Yet false assumptions and controversies still swirl around what it means to speak and sound "black." In his first book devoted solely to the form, structure, and development of Black English, John McWhorter clearly explains its fundamentals and rich history while carefully examining the cultural, educational, and political issues that have undermined recognition of this transformative, empowering dialect.

Talking Back, Talking Black takes us on a fascinating tour of a nuanced and complex language that has moved beyond America's borders to become a dynamic force for today's youth culture around the world.

John McWhorter teaches linguistics, Western civilization, music history, and American studies at Columbia University. A New York Times best-selling author and TED speaker, he is a columnist for CNN.com, a regular contributor to the Atlantic, a frequent guest on CNN and MSNBC, and the host of Slate's language podcast, Lexicon Valley. His books on language include The Power of Babel; Our Magnificent Bastard Tongue; Words on the Move; Talking Back, Talking Black; and The Creole Debate.

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    • Kirkus

      November 1, 2016
      A compact, lively defense of the grammatical legitimacy of "Black English."McWhorter (Linguistics, Music History, American Studies/Columbia Univ.; Words on the Move: Why English Won't--and Can't--Sit Still, 2016, etc.) has been involved in the controversies surrounding African-American Vernacular English for 20 years, when the news of Oakland, California's schools' consideration of an Ebonics curriculum provided him "fifteen minutes of modest media notoriety [as a] black linguist." Although the debate on Ebonics faded, McWhorter concluded, "racism is hardly the only thing standing between how linguists see Black English and how the public sees it." Thus, his approach focuses equally on discerning intricate grammatical principles within AAVE and on the larger mysteries of how shared culture affects seemingly individualized traits like speech patterns. He gradually expands his perspective over the book's five essays, first defusing the question of whether African-Americans can be said to "sound black." He notes that the issue's sensitivity may be "because Black English is so often associated with stupidity that one can't help wanting to disidentify from it." Meanwhile, even well-meaning white people are reluctant to explore their own assumptions for fear of appearing racist. Similarly, many black and white Americans cannot accept the legitimacy of Black English due to its apparent inappropriateness for certain social or professional situations, despite the fact that "no Black English advocate is calling for Black English to be allowed in [job] interviews." McWhorter notes that black Americans today are necessarily experts in code-switching, or utilizing both Standard and Black English in different contexts. "The two things do not cancel each other out: They coexist," he argues. Still, the enduring taint of minstrel culture continues to quash intellectual inquiry into black linguistics, as many are convinced "that a black way to talk has something to do with white racist caricature." The author confidently untangles these issues, writing in an accessible and wry yet precise style. A vibrant separation of an African-American vernacular tradition from the thickets of contemporary racial debate.

      COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      December 1, 2016
      In the late 1990s, racial politics drove controversial debates about Ebonics, or black English, in schools. Linguist McWhorter (Winning the Race, 1986) now offers a broader historical context in which to consider how people of different cultures around the world and across time have spoken in different dialects. The perception persists that black English is standard English spoken badly. McWhorter argues that it is far more than that. Drawing on research, popular culture, and his own expertise as a linguist and black American, McWhorter conveys the roots and richness of the dialect that has come out of the experiences of black Americans. He examines particular differences in verb conjugations that demonstrate a more complex notion of when actions occur, defying the myth that black English is simplistic. McWhorter debunks other notions, such as the assumption that the black accent is simply a southern accent. This is an engaging look at the English language as spoken by many black Americans as well as the long history of stereotyping that has prevented an objective analysis of a rich language tradition.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

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