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Registers of Illuminated Villages

Poems

ebook
1 of 1 copy available
1 of 1 copy available

"Tarfia Faizullah is a poet of brave and unflinching vision." —Natasha Trethewey
Somebody is always singing. Songs
were not allowed. Mother said,
Dance and the bells will sing with you.
I slithered. Glass beneath my feet. I
locked the door. I did not
die. I shaved my head. Until the horns
I knew were there were visible.
Until the doorknob went silent.

—from "100 Bells"
Registers of Illuminated Villages is Tarfia Faizullah's highly anticipated second collection, following her award-winning debut, Seam. Faizullah's new work extends and transforms her powerful accounts of violence, war, and loss into poems of many forms and voices—elegies, outcries, self-portraits, and larger-scale confrontations with discrimination, family, and memory. One poem steps down the page like a Slinky; another poem responds to makeup homework completed in the summer of a childhood accident; other poems punctuate the collection with dark meditations on dissociation, discipline, defiance, and destiny; and the near-title poem, "Register of Eliminated Villages," suggests illuminated texts, one a Qur'an in which the speaker's name might be found, and the other a register of 397 villages destroyed in northern Iraq. Faizullah is an essential new poet whose work only grows more urgent, beautiful, and—even in its unsparing brutality—full of love.

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    • Library Journal

      Starred review from January 1, 2018

      Faizullah (Seam), winner of the 2009 Cohen Award, writes defiance poetry, confronting issues as vast as justice, immigration, alienation, mourning, war, violence, and love in remarkable poems. The poet inveighs against violence by tracing and describing its victims. The tone throughout much of this collection reflects the sudden arrival of horror, galloping fear, and the total bewilderment of desperate souls in a harsh world devoid of miracles. What makes Faizullah's poetry escape politically charged oratory is her ability to capture the edgy particulars of her subjects in transformative language. Reading Faizullah, one might allude to Adrienne Rich's poetry and her vision of confronting reality in fresh language. The poet neatly allows the surfaces of things, through attentive description, to reveal their tumultuous depth: "Because this elegy/ wants to be the streetlamp above me that darkens/ as sudden as a child who, in death, remains/ a child." The poet employs dramatic diction with lucid imageries rooted in the real and the physical. Her interest in modern history gives the poems a force that goes beyond the issues at hand to a more universal spectrum. VERDICT Striking, insightful poems that will move and delight readers. Highly recommended.--Sadiq Alkoriji, Broward Cty. Lib. Syst., FL

      Copyright 2018 Library Journal, LLC Used with permission.

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