Diary

Starred review from July 7, 2003
With a first page that captures the reader hook, line and sinker, Palahniuk (Choke; Lullaby) plunges into the odd predicament of Waytansea Island resident and ex-art student Misty Marie Kleinman, whose husband, Peter, lies comatose in a hospital bed after a suicide attempt. Rooms in summer houses on the mainland that Peter has remodeled start to mysteriously disappear—"The man calling from Long Beach, he says his bathroom is missing"—and Misty, with the help of graphologist Angel Delaporte, discovers that crude and prophetic messages are scrawled across the walls and furniture of the blocked-off chambers. In her new world, where every day is "another longest day of the year," Misty suffers from mysterious physical ailments, which only go away while she is drawing or painting. Her doctor, 12-year-old daughter and mother-in-law, instead of worrying about her health, press her to paint more and more, hinting that her art will save exclusive Waytansea Island from being overrun by tourists. In the meantime, Misty is finding secret messages written under tables and in library books from past island artists issuing bold but vague warnings. With new and changing versions of reality at every turn, the theme of the "tortured artist" is taken to a new level and "everything is important. Every detail. We just don't know why, yet." The novel is something of a departure for Palahniuk, who eschews his blighted urban settings for a sinister resort island, but his catchy, jarring prose, cryptic pronouncements and baroque flights of imagination are instantly recognizable, and his sharp, bizarre meditations on the artistic process make this twisted tale one of his most memorable works to date. (Aug. 26)Forecast:Doubleday's marketing plan for Palahniuk is appropriately surreal—"street team guerrilla marketing" will supplement the usual advertising and author tour routine. The book's premise, relatively sedate at first glance, may make it a harder sell than previous novels, but once readers pick it up, they won't be able to put it down.

December 1, 2003
Although this work is a departure from Palahniuk's previous novels Fight Club
, Lullaby
and Choke
, it contains many of the author's signature elements: complex, tortured characters; eyebrow-raising descriptions of people and places; and an imaginative story line that bursts with color and drama. Misty Marie Kleinman, an art student-turned-hotel maid, has enough on her plate with a husband, Peter, in a coma after attempting suicide. But when she learns that Peter earlier had scribbled incomprehensible messages all over the houses he'd been remodeling, and people start reporting that rooms in those houses have vanished, her world tilts off center. To cope with this bizarre development, Misty starts painting again and pens a diary. Stage and screen actor Plimpton narrates Misty's journal in a plain, almost coma-like voice, stultifying her tone with boredom and nonchalance. As a result, Palahniuk's creative, unusual tale seems devoid of feeling or character. Alas, while the story is fresh, Plimpton's unenthusiastic reading is not. Simultaneous release with the Doubleday hardcover (Forecasts, July 7).