The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume I

September 18, 2006
Anderson (Whales on Stilts
) once again shows the breadth of his talents with this stunningly well-researched novel (the first of two planned) centering on 16-year-old Octavian. The author does not reveal the boy's identity right away, so by the time readers learn that he is the son of an African princess, living a life of relative privilege and intense scrutiny among a group of rational philosophers in pre–Revolutionary War Boston, they can accept his achievements—extraordinary for any teen, but especially for an African-American living at that time. These men teach him the violin, Latin and Greek. Anderson also reveals their strange quirks: the men go by numbers rather than names, and they weigh the food Octavian ingests, as well as his excrement. "It is ever the lot of children to accept their circumstances as universal, and their particularities as general," Octavian states by way of explanation. One day, at age eight, when he ventures into an off-limits room, Octavian learns he is the subject of his teachers' "zoological" study of Africans. Shortly thereafter, the philosophers' key benefactor drops out and new sponsors, led by Mr. Sharpe, follow a different agenda: they want to use Octavian to prove the inferiority of the African race. Mr. Sharpe also instigates the "Pox Party" of the title, during which the guests are inoculated with the smallpox virus, with disastrous results. Here the story, which had been told largely through Octavian's first-person narrative, advances through the letters of a Patriot volunteer, sending news to his sister of battle preparations against the British and about the talented African musician who's joined their company. As in Feed
, Anderson pays careful attention to language, but teens may not find this work, written in 18th-century prose, quite as accessible. The construction of Octavian's story is also complex, but the message is straightforward, as Anderson clearly delineates the hypocrisy of the Patriots, who chafe at their own subjugation by British overlords but overlook the enslavement of people like Octavian. Ages 14-up.

September 11, 2006
Anderson (Whales on Stilts ) once again shows the breadth of his talents with this stunningly well-researched novel (the first of two planned) centering on 16-year-old Octavian. The author does not reveal the boy's identity right away, so by the time readers learn that he is the son of an African princess, living a life of relative privilege and intense scrutiny among a group of rational philosophers in pre\x96Revolutionary War Boston, they can accept his achievements\x97extraordinary for any teen, but especially for an African-American living at that time. These men teach him the violin, Latin and Greek. Anderson also reveals their strange quirks: the men go by numbers rather than names, and they weigh the food Octavian ingests, as well as his excrement. "It is ever the lot of children to accept their circumstances as universal, and their particularities as general," Octavian states by way of explanation. One day, at age eight, when he ventures into an off-limits room, Octavian learns he is the subject of his teachers' "zoological" study of Africans. Shortly thereafter, the philosophers' key benefactor drops out and new sponsors, led by Mr. Sharpe, follow a different agenda: they want to use Octavian to prove the inferiority of the African race. Mr. Sharpe also instigates the "Pox Party" of the title, during which the guests are inoculated with the smallpox virus, with disastrous results. Here the story, which had been told largely through Octavian's first-person narrative, advances through the letters of a Patriot volunteer, sending news to his sister of battle preparations against the British and about the talented African musician who's joined their company. As inFeed , Anderson pays careful attention to language, but teens may not find this work, written in 18th-century prose, quite as accessible. The construction of Octavian's story is also complex, but the message is straightforward, as Anderson clearly delineates the hypocrisy of the Patriots, who chafe at their own subjugation by British overlords but overlook the enslavement of people like Octavian. Ages 14-up.

Starred review from October 1, 2006
Gr 9 Up-In this fascinating and eye-opening Revolution-era novel, Octavian, a black youth raised in a Boston household of radical philosophers, is given an excellent classical education. He and his mother, an African princess, are kept isolated on the estate, and only as he grows older does he realize that while he is well dressed and well fed, he is indeed a captive being used by his guardians as part of an experiment to determine the intellectual acuity of Africans. As the fortunes of the Novanglian College of Lucidity change, so do the nature and conduct of their experiments. The boys guardians host a pox party where everyone is inoculated with the disease in hopes that they will then be immune to its effects, but, instead, Octavians mother dies. He runs away and ends up playing the fiddle and joining in the Patriots cause. Hes eventually captured and brought back to his household where hes bound and forced to wear an iron mask until one of his more sympathetic instructors engineers his escape. Readers will have to wait for the second volume to find out the protagonists fate. The novel is written in 18th-century language from Octavians point of view and in letters written by a soldier who befriends him. Despite the challenging style, this powerful novel will resonate with contemporary readers. The issues of slavery and human rights, racism, free will, the causes of war, and one persons struggle to define himself are just as relevant today. Andersons use of factual information to convey the time and place is powerfully done."Sharon Rawlins, NJ Library for the Blind and Handicapped, Trenton"

Copyright 2006 School Library Journal, LLC Used with permission.

Starred review from September 1, 2006
M. T. Anderson's books for young people reflect a remarkably broad mastery of genres, even as they defy neat classification. Any labeling requires lots of hyphens: space-travel satire (" Feed, "2002), retro-comic fantasy-adventure (" Whales on Stilts, "2005). This genre-labeling game seems particularly pointless with Anderson's latest novel, " The Astonishing Life of Octavian Nothing, Traitor "to the Nation (2006), an episodic, highly ambitious story, deeply rooted in eighteenth-century literary traditions, which examines, among many other things, pre-Revolutionary slavery in New England.

The plot focuses on Octavian, a young black boy who recounts his youth in a Boston household of scientists and philosophers (The Novanglian College of Lucidity). The Collegians believe so thoroughly in the Age of Reason's principles that they address one another as numbers. Octavian soon learns that he and his mother are objects of one of the Collegians' experiments to learn whether Africans are "a separate and distinct species." Octavian receives an education "equal to any of the princes in Europe," until financial strains shatter Octavian's sheltered life of intellectual pursuits and the illusion that he is a free member of a utopian society. As political unrest in the colonies grows, Octavian experiences the increasing horrors of what it means to be a slave.

The story's scope is immense, in both its technical challenges and underlying intellectual and moral questions--perhaps too immense to be contained in a traditional narrative (and, indeed, Anderson has already promised a second volume to continue the story). As in Meg Rosoff's Printz Award Book " How I Live Now "(2004), in which a large black circle replaces text to represent the indescribable, Anderson's novel substitutes visuals for words. Several pages show furious black quill-pen cross-hatchings, through which only a few words are visible, perhaps indicating that even with his scholarly vocabulary, Octavian can't find words to describe the vast evil that he has witnessed. Likewise, Anderson employs multiple viewpoints and formats--letters, newspaper clippings, scientific papers--pick up the story that Octavian is periodically unable to tell.

Once acclimated to the novel's style, readers will marvel at Anderson's ability to maintain this high-wire act of elegant, archaic language and shifting voices, and they will appreciate the satiric scenes that gleefully lampoon the Collegians' more buffoonish experiments. Anderson's impressive historical research fixes the imagined College firmly within the facts of our country's own troubled history. The fluctuations between satire and somber realism, gothic fantasy and factual history will jar and disturb readers, creating a mood that echoes Octavian's unsettled time as well as our own.

Anderson's book is both chaotic and highly accomplished, and, like Aidan Chambers' recent " This Is All "(2006), it demands rereading. Teens need not understand all the historical and literary allusions to connect with Octavian's torment or to debate the novel's questions, present in our country's founding documents, which move into today's urgent arguments about intellectual life; individual action; the influence of power and money, racism and privilege; and what patriotism, freedom, and citizenship mean.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)

April 9, 2007
James's crisp annunciation and measured intonation is well-suited to the 18th-century language and phrasing Anderson employs in his fascinating, provocative Revolutionary War–era novel, winner of the 2006 National Book Award for Young People's Literature and also a 2007 Printz Honor Book. As young Octavian's story slowly (sometimes too slowly) unfolds, the boy learns that he is a slave and that the scientists and philosophers with whom he and his mother (an African princess who was kidnapped by slave traders) live are studying them as part of an experiment to determine whether Africans are "a separate and distinct species." The ill-advised Pox Party of the title, during which the philosophers inoculate their guests against the scourge of smallpox, marks a dramatic turning point that sends Octavian's life journey in a new direction. There's no question the premise is intriguing and the examination of issues noble. However, the meaty subject matter and Anderson's numerous stylistic devices (e.g. the use of different points of view and letters in dialect from another character) render this a challenging listen even for a sophisticated audience. Ages 14-up.

Starred review from August 25, 2008
With an eye trained to the hypocrisies and conflicted loyalties of the American Revolution, Anderson resoundingly concludes the finely nuanced bildungsroman begun in his National Book Award–winning novel. Again comprised of Octavian’s journals and a scattering of other documents, the book finds Octavian heading to Virginia in response to a proclamation made by Lord Dunmore, the colony’s governor, who emancipates slaves in exchange for military service. Octavian’s initial pride is short-lived, as he realizes that their liberation owes less to moral conviction than to political expediency. Disillusioned, facing other crises of conscience, Octavian’s growth is apparent, if not always to himself: when he expresses doubt about having become any more a man, his mentor, Dr. Trefusis, assures him, “That is the great secret of men. We aim for manhood always and always fall short. But my boy, I have seen you at least reach half way.” Made aware of freedom-fighters on both sides of the conflict (as well as heart-stopping acts of atrocity), readers who work through and embrace Anderson’s use of historical parlance will be rewarded with a challenging perspective onAmerican history. Ages 14–up.

January 1, 2007
Young slave Octavian has received, as an experiment, a classical education; in a precise eighteenth-century voice, he narrates the details of his surreal life inside Boston's Novanglian College of Lucidity and also tells of the outside world, as the Revolutionary War begins. Anderson savages the hypocrisy of the nascent United States as only he can, creating an alternative narrative of our national mythology that simultaneously appalls and enthralls.

(Copyright 2007 by The Horn Book, Incorporated, Boston. All rights reserved.)