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The Risk of Us

A Novel

ebook
80 of 80 copies available
80 of 80 copies available

Nearly half a million children are in foster care. Most placements fail. Will seven-year-old Maresa's?
"It starts with a face in a binder. CHILDREN AVAILABLE, reads the cover." So begins Rachel Howard's intimate and heartbreaking novel about a couple hoping to adopt a child from foster care, then struggling to make it as a family. Seven-year-old Maresa arrives with an indomitable spirit, a history of five failed foster care "placements," and a susceptibility to angry panic attacks fueled by memories of abuse. Maresa's new foster mother, whose name the reader never learns, brings good intentions but also her own history of trauma, while her husband's heart condition threatens to explode. These three flawed but deeply human characters want more than anything to love each other—but how does a person get to unconditional love? Over the course of a year, as Maresa approaches the age at which children become nearly impossible to place, all three must discover if they can move from being three separate people to a true family—or whether, almost unthinkably, the adoption will fail.

Written in a spare and thought-provoking style evoking aspects of Jenny Offill and Rachel Cusk, The Risk of Us deftly explores the inevitable tests children bring to a marriage, the uncertainties of family life, and the ways true empathy obliterates our defenses.

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    • Kirkus

      February 1, 2019
      In this debut novel, a couple fosters a 7-year-old girl in hopes of adopting her, but trauma in the girl's past makes her future with the new family unclear.Memoirist Howard (The Lost Night, 2005) details the life of a well-meaning 40-something Northern California couple. "It starts with a face in a binder....[It] says they need families that 'take risks, ' but I won't notice this language until it's too late," the narrator begins. The couple, artist Sebastian (who becomes identified, gratingly, as "Daddy" for the duration of the book) and his wife, the unnamed narrator, foster Maresa, a precocious girl with big dimples and an even bigger personality. Maresa's entry into the household is difficult because she knows only pain and abandonment; like many kids in the foster system, she already has several failed placements behind her. The wife writes the novel as a letter to a future Maresa, expressing her own inadequacy and guilt. The novel is a study in the frustrations of the foster-care system and the shaky foundations beneath new families. Howard challenges current ideas about caring for kids with trauma and the conflicting advice about adoption for parents who are just doing the best they can. After a particularly defiant and violent scene from Maresa that triggers experts to blame the foster parents, Sebastian says, sarcastically, "I guess the New View is that you have to dig up some repressed trauma so that the onus is on you?" Though the novel can read at times like a catalog of indignities and frustrations rather than a story, its underlying restlessness eventually begins to coalesce into a driving question: Will Maresa be able to remain with her foster parents forever? "I want to be connected to both of you, at the same time," the wife writes. "Why is the geometry not working?"Realistic but often prioritizes the realism over the story.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      March 1, 2019
      The unnamed narrator and her husband Sebastian?she is a forty-ish writer teaching online memoir-writing classes, he a fifty-ish artist with a stalled career and a heart condition?decide to foster and maybe adopt a child. They are underprepared for the normal challenges of parenting, never mind those presented by Maresa, a bright and lively seven-year-old. Armed with parenting guides and backed by a phalanx of social workers and therapists, some more helpful than others, the narrator and Sebastian spend a year trying to make it work. Traumatized by severe abuse, Maresa can switch in a heartbeat from charming sweetness to maniacal fury. And the narrator brings her own baggage of past trauma. Her father was murdered (an event from her own life that Howard documented in The Lost Night, 2005), and her first marriage was a disaster. The narrator is always addressing you ?sometimes Sebastian and sometimes Maresa?which lends the novel a particular intimacy. Though rooted in memoir, this is compelling fiction, trenchant, heartbreaking, ultimately hopeful.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

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